Paper Index

Friday 16th December

Opening remarks

13:10-13:20   Room 7101 in Building No.7

Session 1: Compositional Aesthetics

13:20-14:50   Room 7101 in Building No.7
13:20-13:50
A reading of "Effet Lisière (2003)" composed by Jean-Luc Hervé, a musical image of the Japanese traditions by a French composer (Japanese Presentation)
Eiko Shiono (Paris Sorbonne University (Paris IV U.))
塩野衛子 Eiko Shiono (Paris Sorbonne University (Paris IV U.))
13:50-14:20
Harmonic Progressions in Ligeti's "Etudes pour Piano, Premiere Livre" and Penrose Tilings
Mari Takano (Toho-Gakuen Arts Tanki University, Bunkyo University)
ジェルジ・リゲティ《ピアノのためのエチュード集》第1巻の 和音とペンローズ・タイリング
たかの舞俐 Mari Takano (桐朋学園芸術短期大学、文教大学)
14:20-14:50
Computation, Manipulation, Performance, Found Object: Four Composers Approach Sound and Visual Image
Robert Coburn (Tokyo Geijutsu Daigaku, University of the Pacific)

Session 2

15:30-17:30   Room 7101 in Building No.7
15:30-16:00
On Conceptual Misfits in Computer Music Programming
Hiroki Nishino (National University of Singapore)
16:00-16:30
A Study on Taiwanese Bei Guan Automated Composition Based on Rhythm Complexity and Markov Chain Analysis
Chih-Fang Huang, Jin-Ting Liao (Yuan Ze University)
16:30-17:00
Untouchable Performance and Technology
Yoichi Nagashima (Shizuoka University of Art and Culture)
17:00-17:30
The role and realizaton of sound morphing and hybridization in computer music
Naotoshi Osaka (Tokyo Denki University)

Media Project Vol. 10 (Concert I)

18:00-20:00   Niwa Hall (Room 7102 in Building No.7)
Greetings by the Dean
Hiroshi Yasuda (Professor, Tokyo Denki University, Dean, Graduate School of Science and Technology for Future Life, Dean, School of Science and Technology for Future Life)
Yokomizo, Emura, Shibayama, Nakamura, Nemoto, Imai, Yoshio
Cathy Cox, 福中冬子、沼野雄司、水野みか子

Saturday 17th December

Session 3: Special Session: Electroacoustic Music in Musicology (chair: Mikako Mizuno)

(Japanese Presentation and Discussion)
10:00-12:00   Room 7803B in Building No.7
Electroacoustic Music in Musicology
Yuji Numano (Toho Gakuen School of Music), Cathy Cox (Kunitachi College of Music), Fuyuko Fukunaka (Tokyo University of the Arts), Chair : Mikako Mizuno (Nagoya City University)

Session 4

13:30-15:00   Room 7803B in Building No.7
13:30-13:50
Beat Detection Animating Virtual Environment Models
Prabath Weerasinghe and Michael Cohen (University of Aizu)
13:50-14:20
Smartphone as Conductor's Baton for Virtual Concerts
Rasika Ranaweera and Michael Cohen (University of Aizu)
14:20-14:40
Spatialization Techniques in Nué（鵺）
Tatsuya Fujishiro (Kunitachi College of Music)
14:40-15:00
Prajñāpāramitā Hṛdaya, or thoughts on form and silence: A young person's encounter with selected Asian contemporary and traditional music
Simon Roy Christensen (Kunitachi College of Music)

Session 5: Special Session: Generating Music with Biological Information (chair: Hiroko Terasawa)

15:30-17:30   Room 7803B in Building No.7
15:30-16:10
Sound-design for the data sonification of C. elegans' dynamic motion
Hiroko Terasawa (Life Science Center of TARA, University of Tsukuba), Takayuki Hamano (JST, ERATO OEIP)
モデル生物 C. Elegans の動態可聴化におけるサウンドデザイン
寺澤洋子（筑波大学, JSTさきがけ）, 濱野峻行 (JST ERATO 岡ノ谷情動情報プロジェクト)
16:10-17:10
Real-time Controllable Interface for Music Performance Using Electroencephalography
Takayuki Hamano∗1∗2∗3, Tomasz Maciej Rutkowski∗4, Hidefumi Ohmura∗1∗2, Hiroko Terasawa∗4∗5, Reiko Hoshi-Shiba∗1∗2∗6, Kazuo Okanoya∗1∗2∗6, Kiyoshi Furukawa∗7 (JST, ERATO, Okanoya Emotional Information Project∗1, RIKEN Brain Science Institute∗2 , Tamagawa University∗3, University of Tsukuba∗4, JST, PRESTO∗5, The University of Tokyo∗6, Tokyo University of the Arts∗7)
脳波による実時間制御可能な音楽演奏インタフェース
濵野 峻行, Tomasz Maciej RUTKOWSKI, 大村 英史, 寺澤 洋子, 星 (柴) 玲子, 岡ノ谷 一夫, 古川 聖
17:10-17:30
Roundtable
ラウンドテーブル
Takayuki Hamano, Hiroki Nishino, Hiroko Terasawa

Sonic Arts Project (Concert II)

18:00-20:00   Niwa Hall (Room 7102 in Building No.7)
Ban, Arima, Ando ,Imahori, Nagashima, Mori, Rai

Sunday 18th December

Session 6: Featured Composers Session I

10:00-11:10   Room 7401 in Building No.7
10:00-10:20
Audiovisual Poem as a Musical Composition (Japanese presentation)
Shigenobu Nakamura (Kyushu University)
作曲作品としての映像音響詩
中村滋延 (九州大学)
10:20-10:50
The Aesthetic and Technical Discussion for the Pipa and Electroacoustic Music "Image I"
Chih-Fang Huang (Yuan Ze University), En-Ju Lin (Heidelberg University)
10:50-11:10
Conference Report: Csound Conference 2011
Kita Toshihiro (Kumamoto University)

Session 7: Featured Composers Session II

Session 7: Featured Composers Session II 【作品解説】

13:10-14:10   Room 7401 in Building No.7
13:10-13:40
On the Music through Network
Mikako Mizuno (Nagoya City University)
ネットワークを介した音楽について(仮題)
水野みか子 Mikako Mizuno (名古屋市立大学)
13:40-14:10
Prelude for Clarinet and Computer: a Confluence of Technological and Musical Choices
Richard Dudas (Hanyang University)

Asia Computer Music Project (Concert III)

14:30-16:30   Niwa Hall (Room 7102 in Building No.7)
Dudas, Nakamura, Mizuno, Osaka, Shin, Huang, Ogawa

Session 8: ACMP Assembly (chair: Naotoshi Osaka)

16:40-17:40   Room 7401 in Building No.7
Richard Dudas, Seongah Shin, Chih-Fang Huang, Naotoshi Osaka